What is another word for necropolis?

Pronunciation: [nɛkɹˈɒpəlˌiz] (IPA)

Necropolis is a word that refers to a large cemetery or burial ground, typically containing many tombs and monuments. In order to better understand and describe this type of place, it may be useful to know some synonyms. Some common synonyms for necropolis include graveyard, cemetery, burial ground, tomb complex, sepulchre, catacomb, ossuary, and mausoleum. Each of these words implies a similar sense of reverence, mystery, and solemnity that can be associated with the final resting places of the dead. Whether exploring ancient ruins or modern memorials, using synonyms for necropolis can help to add depth and complexity to your descriptions and evoke a sense of the profound role that these places play in our collective history and culture.

What are the hypernyms for Necropolis?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

Usage examples for Necropolis

It is not a library, it is a necropolis.
"A Novelist on Novels"
W. L. George
The Dean and Mr. Gingham used often to speak of it as they walked through the long grass of the new cemetery, the necropolis.
"Sunshine Sketches of a Little Town"
Stephen Leacock
"Thou didst not see a little procession that came through the Gate of necropolis last evening," he conjectured.
"Out of the Triangle"
Mary E. Bamford

Famous quotes with Necropolis

  • A lot of people misspelt the title of the book and called it necropolis, but I’m fine with that, because the title is a play on that and it is a city of the dead. Narcopolis is a necropolis. Bombay disappears and a lot of the characters die with it. Throughout the book, opium disappears and heroin arrives and the last few chapters point at the future, to what Bombay will be. You can make an accurate educated guess as to what it will be in the future.
    Jeet Thayil
  • 'Beautifully written . . . the webs of imagery that Harris has so carefully woven . . . contains writing of which our best writers would be proud . . . there is not a singly ugly or dead sentence . . .' - or so sang the critics. is a genre novel, and all genre novels contain dead sentences - unless you feel the throb of life in such periods as 'Tommaso put the lid back on the cooler' or 'Eric Pickford answered' or 'Pazzi worked like a man possessed' or 'Margot laughed in spite of herself' or 'Bob Sneed broke the silence.' What these commentators must be thinking of, I suppose, are the bits when Harris goes all blubbery and portentous (every other phrase a spare tyre), or when, with a fugitive poeticism, he swoons us to a dying fall: 'Starling looked for a moment through the wall, past the wall, out to forever and composed herself...' 'It seemed forever ago...' 'He looked deep, deep into her eyes...' 'His dark eyes held her whole...' Needless to say, Harris has become a serial murderer of English sentences, and is a necropolis of prose.
    Martin Amis

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Related questions:

  • What is a necropolis?
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